University of North Carolina at Greensboro
School of Music Performance Study: Tuba and Euphonium
Dr. Dennis AsKew
303 Music Building
If
you are borrowing a University-owned instrument please note the
following: Failure to return or re-check out University-owned
property used in conjunction with or related to this course in a
timely manner will result in a grade of "INCOMPLETE" until such
property is properly returned or checked out.
The performance studies program in tuba or euphonium at UNCG is open
to performance majors, music education majors, BA music majors, music
minors and students who wish to study tuba or euphonium as a
secondary instrument. Music majors must first audition for the brass
faculty in order to enroll in lessons which end in the number 1 (ex.
151). A number indicating level is assigned for study each semester;
the level 151 indicates study as a first year student, while 751
indicates the doctoral level. A tuba or euphonium student will
register for 1, 2, or 3 semester hours as required by a particular
course of study. A non-music major must register for a course ending
in 2 (ex. 152); one or two credits may be elected.
Grading Policy
Grades for performance study are calculated upon a wide grouping of
tasks which occur throughout the semester. These include, but are not
limited to, individual lessons, recital attendance, Repertoire class,
jury examination and written assignments.
Private lessons are the fundamental basis of performance study.
Grades for each lesson will be given. In a normal semester, a minimum
of 14 lessons will be provided. Habitual absence will result in the
student being dropped from the course. Missed lessons can be
rescheduled, providing the absence is excused, and a convenient time
can be identified. Although a specific lesson time is assigned at the
beginning of each semester, a student should expect that lessons
might need to be re-arranged periodically to compensate for the
instructor’s performing schedule, professional conferences, etc.
Likewise, consideration is given to the make up of student lessons
missed for similar reasons.
The individual lessons will be graded as follows: (thanks, DZ)
Grade of “A” You are prepared. You are performing the music with
technical expertise, and artistic insight. Questions are thought out,
and any writing assignments are complete.
Grade of “B” You are relatively prepared. Technically, the music is
free of major problems; artistically it still needs work. Any writing
assignments are complete. You know you can do better.
Grade of “C” You are not really prepared. Missed rhythms, dynamics,
pitches, etc; no sense of artistic thought. No improvement shown.
Grade of “F” No amount of encouragement on my part can help you, (are
you sure you looked at the instrument over the last 7 days?). Or,
simply, you didn’t show up, with no notice given.
Practice
It is expected that for each credit of lesson you are enrolled, you
will practice one hour per day: 3 credits = 3 hours per day/21 per
week; 2 credits = 2 hours per day/14 per week; 1 credit = 1 hour per
day/7 per week. Inadequate practice is obvious in lessons, and will
reduce progress and grade.
Other Considerations
An integral part of learning to perform is listening to others
perform. For grading purposes, a minimum of 10 recitals per semester
must be attended; these may be virtually any type of recital, however
attendance at all brass related recitals is required. This may, in
fact, result in attendance at more than 10 recitals.
All euphonium and tuba majors are required to maintain membership in
ITEA.
Repertoire Class meets each Monday at 4:00 pm. Attendance is
required.
At the end of each semester, a jury examination will take place.
These will be normally be scheduled on Reading Day. Normally, a
“jury” consists of a prepared work, scales, performance of previously
learned material, and sight reading.
Each student should
plan to purchase new music each semester, have a working metronome,
tuner, breathing bag, and a portable recording device; those using
university instruments must own their own mouthpiece (size, etc. to
be discussed with instructor). In addition, most students will find
that the purchase of one or more breathing aids will help with the
training of the body to breathe properly.
TUBABAND
The UNCG TUBABAND
has become one of the mainstays of the southeastern low brass
ensembles. Each year the TUBABAND hosts and performs at the annual
Octubafest, the annual TubaChristmas, the Greensboro Festival of
Lights, and presents numerous other concerts. Most years some
contingent of the group performs at the SouthEastern Tuba/Euphonium
Conference, as well as other conferences. All members of the studio
are invited to perform with the group, and are encouraged to take the
class as often as possible. Meeting time is usually MW, 2 p.m.
Advancement
Policies (undergraduate)
The levels of private lessons are designed for personal advancement,
not necessarily to coincide with academic level changes. To this end,
the following requirements have been established as guidelines:
To advance from 151-251: Successful work in Arban’s Complete Method,
Bordogni or other “melodious” etude books, and work in Tyrell, or
other “technical” etude books; Major and minor scales; appropriate
sight reading; appropriate solos; for euphoniums, knowledge of bass
clef.
To advance from 251-351: Successful work through Arban, and other
methods listed above; all major scales in rotating patterns; advanced
techniques, including multiple tonguing, and registral work;
appropriate sight reading/for euphonium in treble and bass clefs;
appropriate band and orchestral excerpts.
To advance from 351-451 and graduate levels: as appropriate with
recital repertoire.